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Event Factory By Renee Gladman

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Sales Rank: #134656 in Books
Brand: Brand: Dorothy, a publishing project
Published on: 2010-11-01
Original language: English
Number of items: 1
Dimensions: 6.90" h x .40" w x 5.50" l, .35 pounds
Binding: Paperback
136 pages

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Used Book in Good Condition

From Publishers Weekly
Gladman's murky, eerie new novel (after To After That) leads a linguist into a foreign city on the brink of annihilation and creates for her a lonely foray into self-discovery. In the dystopian land of Ravicka, people speak in extravagant gestures, maps do not correspond to landmarks, the streets are swathed in smoke, and people are fleeing en masse. The narrator linguist has flown here to tour the city, but her interactions with the few and far between inhabitants are more bewildering than enlightening. She stays at a hotel run by Simon, who tries to offer helpful information, and meets a succession of guides, such as Dar, a foreigner who knows the city but can't speak Ravic, and Ulchi Managua, a transient who despairs at the vanishing state of his beloved city. Eventually, the narrator immerses herself in the Ravickian national literary masterpiece, Waiting ("famous for its pace: nothing happens"), but is tormented by the imprecision of the translation, a feeling that won't be unfamiliar to readers of Gladman's alluring if sometimes frustrating narrative. (Nov.) (c)
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About the Author
Renee Gladman was born in Atlanta in 1971. She received a B.A. in philosophy from Vassar College, and a Master's degree in poetics from New College of California. She is the author of seven works of prose—including ANA PATOVA CROSSES A BRIDGE (Dorothy, a publishing project, 2013), THE RAVICKIANS (Dorothy, a publishing project, 2011), EVENT FACTORY (Dorothy, a publishing project, 2010), NEWCOMER CAN'T SWIM (Kelsey Street Press, 2007), THE ACTIVIST (Krupskaya, 2003), and JUICE (Kelsey Street Press, 2000)—and one collection of poetry, A PICTURE-FEELING (Roof Books, 2005). Since 2005, she has operated Leon Works, an independent press for experimental prose and other thought-projects based in the sentence, making occasional forays into poetry. She teaches in the Literary Arts Department at Brown University.

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